Bio
Cathy DeWitt was destined to be a
musician, and playing jazz is in her blood. Before she was born her father
Bruce led his own band in New Orleans, regularly opening for Louis Armstrong at
Pete Fountain's place. At a very early age music filled her house, from her
father's Dixieland trumpet and stride piano to the Rachmaninoff and Chopin
pieces her brother Peter, a prodigy pianist, rehearsed every day on the grand
piano in the livi ng room. As the family
gathered to watch the television variety shows of the 60s, she heard all the
famous singers interpreting the great songbook of jazz and show tunes, and she
never forgot the lyrics to many of those songs.
After honing her harmonic skills as a member of the University of Florida Choir
and Willis Bodine's Chamber Singers, Cathy met and began performing with jazz
guitarist Charlie Bush. This was the beginning of her career as a jazz
singer, which led to performances throughout Florida, as well as New York,
California, London, Hawaii, and the Virgin Islands. After Charlie's untimely
death in 1984 she formed her own band, MoonDancer, which is still playing
today. A board member of the Gainesville Friends of Jazz & Blues, she has
produced and/or performed in many concerts, singing with many great musicians,
including pianists Dave Frishberg and Rob Bargad, guitarist
Larry Camp, and bassist Walter Booker. Several of these concerts
were recorded for broadcast by the local public radio affiliate, WUFT, and make
up the basis of her album, Love Notes, shown below. Latest Recording: "Love Notes"
These selections, "love
notes" after a fashion, are written in a language in which Cathy is quite
fluent. "I listen to the songs themselves more than to any particular
singer. There are so many wonderful singers," Cathy says. "To me, a
song is a way to communicate on a very special level. When you're singing a
great song about love, you have an amazing opportunity to connect with the
audience."
That
connection was made many times during these concerts, even when their regular
venue, the Thomas Center, was flooded and the show had to move at the very last
minute to the Sovereign Restaurant. "I Just Found Out About Love"
comes from that show, and features Frank Sullivan, Gainesville's gem on
the piano, who masterfully drives the band on this piece. Mark Fox also
shines here - listen to how he picks up the previous line and runs with it as
he starts his solo.
Another more recent concert is
also included, with the phenomenal Rob Bargad on piano. Rob spent
several years on the road holding down the piano chair with the Nat Adderley
band, and he has also played in Europe and Japan with the Harper Brothers and
Vincent Herring. Rob's muscular style is evident on "There Will Never Be
Another You," and his flowing touch shines in "When I Fall in
Love."
Also on "There Will
Never
" and on Cathy's original "Everybody's Somebody's
Child" is the late and very great Roland Burns. In his hands the
alto becomes an instrument of intense warmth - not so with most practitioners.
Like an embrace, his sound is missed intensely the moment it stops, and we wish
it never had. And Dave Sloane, the master of tone and sensitivity, is a
joy to hear on "For a God In Blue," a powerful ballad that speaks to
all mentors - another DeWitt original.
Bassist Walter Booker,
another Adderley veteran who has played with Sarah Vaughan, Kenny Barron, and
Jimmy Cobb, lends his swinging touch to a couple of numbers here; listen for
Bookie's creative finish on "Up Jumped Spring." Cathy's vocal
movement perfectly suits the tune, and Roland's horn adds just the right
lift.
A touch of Cathy's choral roots is
revealed in the interplay between her and Frank Sullivan on "Alice in
Wonderland," and her voice is flat out beautiful on "You Taught My
Heart to Sing" (accompanied by pianist Kurt Lang) and "It
Might As Well Be Spring." Frank is right there every step of the way
(without stepping on any toes) to support the vocals on the duets.
"I've been so lucky to sing
these beautiful songs with such an incredible group of musicians. Each one
brings their own special flavor to the mix," Cathy says. "I'm very
grateful to all of them for their creativity and support." This recording
is imbued with an almost innate communication between the singer and the band,
and we are all lucky to receive these notes of love.
The original recordings were made
from six concerts between 1987 & 1998. WUFT-FM graciously provided their
Remote Recording Truck. Instruments and voice were close miked and mixed live
to 2-track digital tape, mostly by Will Kinnally. Digital mastering for this CD
by Rob Rothschild.
|